New York Classical Review
Joel Friedman’s solo viola work, When the World Disintegrates Before Your Eyes, brought more intensity and emotional darkness. This is a technically and expressively demanding piece, ably played by Andrew Gonzalez. The piece uses material from the scherzo of Beethoven’s Ninth Symphony as a jumping-off point. Friedman puts that into minor key, adds dissonances, repeats interior fragments, then uses the same techniques to spiral into more broad-limbed writing. The obsessive and interesting, off-kilter quality of the music was apparent, even without Friedman’s remarks about the personal turmoil that marked his compositional process.